'Formally “10:04” belongs to an emerging genre, the novel after Sebald, its 19th-century furniture of plot and character dissolved into a series of passages, held together by occasional photographs and a subjectivity that hovers close to (but is never quite identical with) the subjectivity of
[This text was written for the Camden Arts Centre's Exhibition: 'We at Camden Arts Centre are Exceedingly Proud to Present an Exhibition of Capable Artworks by the Notable Hand of the Celebrated American, Kara Elizabeth Walker, Negress.' up from
'For this displaced member of the Nigerian elite, Lagos is the opposite of an open city. His decision to leave, to make himself a cosmopolitan, in other words to have aerials instead of roots, has closed it off definitively.'